Summer Composting

Summer Composting

Summer Composting

“Yet, no matter how deeply I go down into myself, my God is dark, and like a webbing made of a hundred roots that drink in silence.” Rainer Maria Rilke

Inspired by a recent energy work session, I am exploring the idea of allowing myself to be composted. I imagine I am lying down on the earth and letting all that is old, outdated, and unhelpful within myself to be composted. Allowing life itself and the earth to move into my body and being and alchemize what is ready to be given over to the dark soil, to the unknown, to breaking down and becoming the nothing that emerges as something. Letting myself be dissolved.

We humans can hold on to identities and the roles we play in our work, our families, our communities, but also to the internal identities – a good person, a kind person, a productive person, a spiritual person, etc… Of course it helps to have a sense of ourselves, and indeed we do need the ego to develop that self; it’s not that we want to float around as edgeless blobs but instead can we be curious about the ways we cling to or get stuck in old patterns and what impact that has on us. 

As I let more ease into my days, my mind, my heart (not easy, I might say), I can see how familiar and habitual it is to work hard, push, do, fill up time and space. That old way of being is ripe for the compost pile, but its roots are deep and tangled, so one go of it is not enough. It’s a practice. To over and over again let myself be emptied, merge with nature, surrender to the alchemical process, to feel the earthiness and how it ushers my being into a deeper service to the soul.

Grief is doing that in my life right now. In general, I think grief has a way of leveling us, of taking us down to the bones and composting what is extra, not coming along into the future with us, unnecessary or outworn. But I am also opening to the possibility that there are other ways to break down the old tangly, invasive, and strangling patterns. Maybe it doesn’t have to be the fogginess of grief that does it (although I am a willing apprentice to that process), but can include other lighter and conscious ways of giving over to the earth, to the truth of change, to the falling apart, decaying, and emerging as something else. Each time I practice this composting meditation of sorts, I end up feeling a bit cleared out, less bogged down, less heavy, and there is something nourishing about that: the idea that nature’s organic way of breaking things down so that they can be renewed and renewing is also a process I can embody myself.

How does the idea of composting resonate with you? Any other gardening images or metaphors that align with your own body and soul?

I came across a poem recently that seemed to lean into this idea of merging with the earth that I am exploring:

Yes, That’s When

by Rosemerry Wahtola Trommer

I like my body when I’m in the woods
and I forget my body. I forget that arms,
that legs, that nose. I forget that waist,

that nerve, that skin. And I aspen. I mountain.
I river. I stone. I leaf. I path. I flower.
I like when I evergreen, current and berry.

I like when I mushroom, avalanche, cliff.
And everything is yes then, and everything
new: wild iris, duff, waterfall, dew.

What Shape of You Wants to Emerge?

What Shape of You Wants to Emerge?

What Shape of you Wants to Emerge?

Inspirations from David Whyte’s poem, What to Remember When Waking

I feel like a broken record, even to myself. Emergence, emergence, what wants to come forth, step forward, flourish, begin to take up space? These themes circle around me and within me these days, not surprising given the season we are in here in the northern hemisphere. Also, maybe not surprising given the tenor of these times, and the need for imaginal and creative visions of life. And then there’s the personal element of feeling on the edge of expansion – a seed inside that is wanting to grow, still fuzzy yet as to what it will become. For all of these reasons, emergence is a thread running through the elements of my days, both internally and externally.

I used the David Whyte poem, What to Remember When Waking, in a workshop this weekend (copied below). I have heard this poem many times over the last stretch of years, and it finds me differently each time I hear it. At this moment in time, I am hearing it as a question of emergence, inviting us to leave space for the bigger thing to come through, the presence of creation before it is tangible, the oak in the acorn.

It’s a process that most of the time I would really like to rush; other times I am quite fine just staying a seed in the dark earth that doesn’t have to make its way anywhere.

To sit with the process of becoming isn’t easy or comfortable. It gnaws away at my patience. The journey of waiting through the fallow times can vacillate between a wild excitement and a hopeless numbing – when will the thing just happen? When will I know what is next? When will the flower finally bloom? 

As Whyte’s poem suggests – the plans we can make ourselves are too small to live. I am finding for myself that the work of holding space for what is yet to emerge requires many containers. The container of my own body, moved and present, able to hold the changing sensations of emergence. It also requires the container of community, of others who are in the process of unfolding with awareness. And it requires connection to the bigger/larger/beyond. On a given day, that might be ancestral presence, the earth herself, or dipping into meditative/spiritual/depth practices and lineages. It is in the remembering to touch into one or more of these containers as often as I can, and to allow myself enough time to feel held by them, that I can tolerate and even begin to savor being with emergence itself.

What to Remember when Waking?

In that first hardly noticed moment in which you wake,
coming back to this life from the other
more secret, moveable and frighteningly honest world
where everything began,
there is a small opening into the new day
which closes the moment you begin your plans.

What you can plan is too small for you to live.
What you can live wholeheartedly will make plans enough
for the vitality hidden in your sleep.

To be human is to become visible
while carrying what is hidden as a gift to others.
To remember the other world in this world
is to live in your true inheritance.

You are not a troubled guest on this earth,
you are not an accident amidst other accidents
you were invited from another and greater night
than the one from which you have just emerged.

Now, looking through the slanting light of the morning window
toward the mountain presence of everything that can be
what urgency calls you to your one love?
What shape waits in the seed of you
to grow and spread its branches
against a future sky?

Is it waiting in the fertile sea?
In the trees beyond the house?
In the life you can imagine for yourself?
In the open and lovely white page on the writing desk?

—David Whyte

Reflective Prompts:

What is taking shape in you? What is calling you out beyond the limits you have on yourself? What are you living into in your own process of emergence? Who and what is helping you navigate the process?

October and Ancestors

October and Ancestors

October and Ancestors

October – the season of change, of decay and dying; not dead yet, but on its way.

October, the season of wind and darkness, of shifting time.

Literal time shifts – the night gets darker, morning too, and the clocks will eventually change. And the other kind of time begins to shift as well – the otherworld gets closer, the darkness and the veil begin to surround us. Whispers through the worlds find our hearts, letting us know we are not alone.

The otherworld tells me of its presence: I am here. You are not alone. There are so many of us, known and unknown to you, here as close as the dark, as close as the fall breeze, as close as the falling leaves underfoot. We are here, lean back into our holding, let us catch you.

Ancestors. 

Back and back and back again.

Those I have names for and those I do not. They can reach forward from the other side, through the veil with their wishes and their wisdom – have this, hold this to your heart. It may feel at times that the circle right around you is all you have, but there are ripples of us, rings of love going back through time, ready to fill in empty spaces, answer questions that plague your heart, listen to deep longings that are still yet wordless, and give the yearnings of your soul a place at the table.

Even if the details of us are gone, hard to find and track down, lost in archives or burnt in churches hundreds of years ago, we are still here. Right here, in this shifting season, in this walk into deep time. The fire is lit, and we are waiting.

I tell myself to remember that the hearth is the place of gathering, the place of cooking and story-telling, of sleeping and mending, of healing and silence. It is the flame we gather around to hold us in connection. It is the fire within us that has been lit from the hearth that keeps us connected into ourselves. The flame passed down through centuries, across oceans, in births and in deaths. In this shifting time, as the veil is reachable and the darkness holds us, each fire, each flame, is a signal of our ancestors’ presence, like a hand on the heart. We are here.

Beltane – a poem and a dance

Beltane – a poem and a dance

Beltane – a poem and a dance

A few bits, but by no means a full dive, about the history and meaning of Beltane, include its translation as “bright fire” or “mouth of fire” in Irish. Like other seasonal ritual days, the celebration of Beltane was supposed to have involved fire. The fire was a way of ushering in the summer and light time of the year. Beltane also connects to a time of fertility and fecundity, when the earth is coming alive with color – plant and flower life, greenness of trees and grasses,
new animal life. The abundance has arrived and continues to burst forth. Like its counterbalance in the fall (Samhain), the time of Beltane is also a time where the veils between the worlds are considered thin, when we have closer access to the ancestors and the otherworld, whatever we may consider that to be.

Right now, when I look at the land around me, I see more animal and bird life, I can hear birdsong all day long, the vibrant pink of the azaleas and the green of the grasses are saturating the yard. The snowdrops and crocuses have given way to the dandelions; the fragrance of lilacs and hummingbird shrubs fill the neighborhood. The bees are flying two by two. There is a hint of summer in the air, but nature will not be rushed, and I don’t want to be rushed either. There’s an invitation to linger in this late springtime, to be taken by the sweet smells and colors, to dream in the afternoon breezes and begin to soak in the warmth of the sun.

Here’s an offering of a poem and a dance to welcome some of that Beltane energy.

On this New Moon Solar Eclipse day

On this New Moon Solar Eclipse day

On this New Moon Solar Eclipse day

On this New Moon Solar Eclipse day, however it finds you, take a moment to let yourself move. Let yourself dance and maybe even dance harder for all those who can’t. Enjoy the poem below and let yourself be moved.

We Have Come to be Danced

By Jewel Mathieson

We have come to be danced
Not the pretty dance
Not the pretty pretty, pick me, pick me dance
But the claw our way back into the belly
Of the sacred, sensual animal dance
The unhinged, unplugged, cat is out of its box dance
The holding the precious moment in the palms
Of our hands and feet dance.

We have come to be danced
Not the jiffy booby, shake your booty for him dance
But the wring the sadness from our skin dance
The blow the chip off our shoulder dance.
The slap the apology from our posture dance.

We have come to be danced
Not the monkey see, monkey do dance
One two dance like you
One two three, dance like me dance
but the grave robber, tomb stalker
Tearing scabs and scars open dance
The rub the rhythm raw against our soul dance.
We have come to be danced
Not the nice, invisible, self-conscious shuffle
But the matted hair flying, voodoo mama
Shaman shakin’ ancient bones dance
The strip us from our casings, return our wings
Sharpen our claws and tongues dance
The shed dead cells and slip into
The luminous skin of love dance.

We have come to be danced
Not the hold our breath and wallow in the shallow end of the floor dance
But the meeting of the trinity, the body breath and beat dance
The shout hallelujah from the top of our thighs dance
The mother may I?
Yes you may take 10 giant leaps dance
The olly olly oxen free free free dance
The everyone can come to our heaven dance.

We have come to be danced
Where the kingdom’s collide
In the cathedral of flesh
To burn back into the light
To unravel, to play, to fly, to pray
To root in skin sanctuary
We have come to be danced

WE HAVE COME.